Flemish painter (b. 1564, Antwerpen, d. 1634/35, Antwerpen).
ID de tableau:: 8251
Landscape le Paysage Oil on canvas, 174 x 256 cm
Museo del Prado, Madrid Huiler sur le canevas, 174 x 256 Prado de del de Museode cm, Madrid Flemish painter (b. 1564, Antwerpen, d. 1634/35, Antwerpen).
(1862-1894) was a French painter born March 17, 1862 in Paris and who died April 27, 1894. He is associated with the Synthetic movement and Pont-Aven School, and he was a contemporary and friend of Paul Gauguin and Vincent van Gogh. Gauguin created a portrait of him in 1886 looking at one of Gauguin's Ceramic sculptures, entitled "Still Life with Profile of Laval".
Paul Gauguin and Laval both came to Pension Gloanec in Pont-Aven in 1886 and became friends. In search of an exoticism that could provide the key to art, Gauguin and Laval went to Panama in 1887. To gain some subsidies, Laval performs academic portraits (all lost), using his experience received from Leon Bonnat. A series of mishaps caused Laval and Gauguin to leave the Central America for the island of Martinique.
ID de tableau:: 11669
Landscape Aménager 189?
Oil on Paper on canvas
1' 9 3/4'' x 1' 8''(55 x 46 cm) 189 Huiler sur le Papier sur le canevas 1 › 9 3/4 › › x 1 › 8 › › (55 x 46 cm) (1862-1894) was a French painter born March 17, 1862 in Paris and who died April 27, 1894. He is associated with the Synthetic movement and Pont-Aven School, and he was a contemporary and friend of Paul Gauguin and Vincent van Gogh. Gauguin created a portrait of him in 1886 looking at one of Gauguin's Ceramic sculptures, entitled "Still Life with Profile of Laval".
Paul Gauguin and Laval both came to Pension Gloanec in Pont-Aven in 1886 and became friends. In search of an exoticism that could provide the key to art, Gauguin and Laval went to Panama in 1887. To gain some subsidies, Laval performs academic portraits (all lost), using his experience received from Leon Bonnat. A series of mishaps caused Laval and Gauguin to leave the Central America for the island of Martinique.
ID de tableau:: 26651
Landscape le Paysage mk531743
oil on canvas
90.8x118.1cm
Barnard Castle,Bowes Museum
mk531743 pétrole sur le Château de Barnard de 90.8x118.1cm de canevas, Incline le Musée French Rococo Era Painter, 1703-1770
ID de tableau:: 27735
Landscape le Paysage mk62
1870-1871
Oil on canvas
53.8x64.9cm
Frankfurt
mk62 1870-1871 Huilent sur le canevas 53.8x64.9cm Francfort French Post-Impressionist Painter, 1839-1906
ID de tableau:: 29244
Landscape Aménager mk65
ca.1790
Oil on canvas
47x60"
mk65 Californie. 1790 Pétrole sur le canevas 47x60 1712-1793
Italian
Francesco Guardi Galleries
Dutch painter (b. 1615, Kleve, d. 1660, Amsterdam).
ID de tableau:: 29578
Landscape Aménager 1637
Oil on wood, 49 x 75 cm 1637 Pétrole sur le bois, 49 x 75 cm Dutch painter (b. 1615, Kleve, d. 1660, Amsterdam).
ID de tableau:: 30802
Landscape Aménager nn06
oil on canvas
46.5x34.5cm
National Art Museum of Roman
Bucharest
nn06 pétrole sur le canevas 46.5x34.5cm Musée d~Art National de Bucarest romain Romanian Painter, 1838-1907
ID de tableau:: 36211
Landscape le Paysage mk110
1905
Oil on canvas
19.2x31cm
mk110 1905 Huilent sur le canevas 19.2x31cm 1878-1935
Kasimir Malevich Gallery
ID de tableau:: 37001
Landscape Aménager mk115
About 1925-1928
25.7x40.2cm
mk115 à peu près 1925-1928 25.7x40.2cm 1863-1935
French
Paul Signac Galleries
ID de tableau:: 37020
Landscape Aménager mk115
About 1880
Oil on canvas
72x91cm
mk115 environ 1880 Pétrole sur le canevas 72x91cm French Post-Impressionist Painter, 1839-1906
ID de tableau:: 40809
Landscape lePaysage mk156
1890
Oil on canvas
113x88.8cm
mk156 1890 Huilent sur le canevas 113x88.8cm German Symbolist Painter, 1839-1924
ID de tableau:: 41385
Landscape Aménager mk160
The Most frequently illustrated view of Henry VIII-s Dream palace mk160 La vue le plus fréquemment illustrée de palais de Rêve de VIII-S de Henry
ID de tableau:: 63059
Landscape 120 x 152 cm The Hermitage, St. Petersburg One of the rare compositions of the artist not containing archtectural elements. Artist: GUARDI, Francesco Painting Title: Landscape , 1751-1800 Painting Style: Italian , , landscape Italian Rococo Era Painter, 1712-ca.1793
(February 4, 1864 - December 29, 1941) was an American painter, primarily of landscapes and nudes. Although he was academically trained, much of his work has the unself-aware character of naive art. Eilshemius was a grandson of Swiss painter Louis-Leopold Robert.
Born near Newark, New Jersey into a wealthy family, his earliest education was in Europe, after which he spent two years at Cornell University before his art studies began at the Art Students League of New York. He subsequently studied under Bouguereau at the Academie Julian in Paris, and traveled widely in Europe, Africa and the South Seas, returning to the family brownstone in New York City where he was to live for the rest of his life.
ID de tableau:: 71281
Landscape ca. 1917(1917)
Oil on board
38 x 77.3 cm (14.96 x 30.43 in)
(February 4, 1864 - December 29, 1941) was an American painter, primarily of landscapes and nudes. Although he was academically trained, much of his work has the unself-aware character of naive art. Eilshemius was a grandson of Swiss painter Louis-Leopold Robert.
Born near Newark, New Jersey into a wealthy family, his earliest education was in Europe, after which he spent two years at Cornell University before his art studies began at the Art Students League of New York. He subsequently studied under Bouguereau at the Academie Julian in Paris, and traveled widely in Europe, Africa and the South Seas, returning to the family brownstone in New York City where he was to live for the rest of his life.
(1831 - 1901) was a Polish painter and professor.
Born in Warsaw, Gerson enrolled at the Warsaw Fine Arts Academy and graduated with honorable mention and a scholarship to St. Petersburg Academy of Arts where he studied historical painting under A. T. Markov. He graduated from St. Petersburg with a silver medal and returned to Warsaw. He left for Paris in 1850 and studied under Leon Cogniet.
He travelled back to Warsaw in 1858, where he would live for the rest of his life. Gerson began to teach art in his own workshop in 1865. He trained many future Polish artists such as J??zef Chełmo??ski, Leon Wycz??łkowski, Władysław Podkowi??ski, and J??zef Pankiewicz. He was made a professor for the St. Petersburg Fine Arts Academy in 1878.
Gerson also worked as an architect and art critic. He is known for his paintings of patriotism, country life, and mountain landscapes. Gerson died in Warsaw, aged 70.
ID de tableau:: 71578
Landscape Landscape, oil on canvas, 41,7 x 47,7 cm. Offered on auction by DESA 11.12.2004 for 50000zł.
(1831 - 1901) was a Polish painter and professor.
Born in Warsaw, Gerson enrolled at the Warsaw Fine Arts Academy and graduated with honorable mention and a scholarship to St. Petersburg Academy of Arts where he studied historical painting under A. T. Markov. He graduated from St. Petersburg with a silver medal and returned to Warsaw. He left for Paris in 1850 and studied under Leon Cogniet.
He travelled back to Warsaw in 1858, where he would live for the rest of his life. Gerson began to teach art in his own workshop in 1865. He trained many future Polish artists such as J??zef Chełmo??ski, Leon Wycz??łkowski, Władysław Podkowi??ski, and J??zef Pankiewicz. He was made a professor for the St. Petersburg Fine Arts Academy in 1878.
Gerson also worked as an architect and art critic. He is known for his paintings of patriotism, country life, and mountain landscapes. Gerson died in Warsaw, aged 70.
ID de tableau:: 72184
Landscape between 1618(1618) and 1622(1622)
Oil on panel
104.1 X 78.7 cm (40.98 X 30.98 in)
Flemish Baroque Era Painter, 1576-ca.1632
konrad magi(1878 to 1925),was an Estonian landscape painter. He was one of the most colour-sensitive Estonian painters of the first decades of the 20th century, and Magi works on motives of the island of Saaremaa are the first modern Estonian nature paintings.
Magi received his elementary art education from the drawing courses of the German Artisans Society of Tartu (1899?C1902.) At the same time, he was keenly engaged in theater, violin, and various sports.
Magi continued his art education as an unattached student in Saint Petersburg (1903?C1905.) In the autumn of 1907, he went to Paris. There Magi studied at a free academy. From 1908 to 1910, he lived in Norway. In 1912, Magi returned to Tartu, where he worked as an art teacher.
In Åland, he created delicate plant vignettes in the style of Art Nouveau: Kahekesi (Two together; 1908; China ink drawing). In Paris, Magi was influenced by Impressionism and Fauvism, which had a significant impact on his colours: Lilleline vali majakesega (A flower field with a little house; 1908?C1909), Norra maastik manniga (A Norwegian landscape with a pine; 1910).
From 1918, the influence of Expressionism is manifest, fostered by Mägi extreme sensitivity and emotional response to the anxious times: Puhajarv (Lake Puha, ', ', ', ', ', ', ', '); 1918?C1920), Otepaa maastik (Landscape of Otepaa; 1918?C1920). Also influenced by Expressionism are his big figure compositions Piet?? (1919), Kolgata (Golgatha; 1921).
Konrad Magi - Rannamaastik (Beach landscape)Magi new artistic period, begun on a trip to Italy, brought calmer tempers: Varemed Capril (Ruins in Capri; 1922?C1923). Along with nature pictures, he painted flowers and portraits. Magi mostly beautiful female models express the Art Nouveau ideal of beauty: Holsti (1916). In his later portraits from the 1920s, a more serious temper is expressed: Madonna (1923?C1924).
ID de tableau:: 72278
Landscape Konrad Mägi "Landscape", 1920-1921, oil on cardboard, 46,8 x 60
cjr konrad magi(1878 to 1925),was an Estonian landscape painter. He was one of the most colour-sensitive Estonian painters of the first decades of the 20th century, and Magi works on motives of the island of Saaremaa are the first modern Estonian nature paintings.
Magi received his elementary art education from the drawing courses of the German Artisans Society of Tartu (1899?C1902.) At the same time, he was keenly engaged in theater, violin, and various sports.
Magi continued his art education as an unattached student in Saint Petersburg (1903?C1905.) In the autumn of 1907, he went to Paris. There Magi studied at a free academy. From 1908 to 1910, he lived in Norway. In 1912, Magi returned to Tartu, where he worked as an art teacher.
In Åland, he created delicate plant vignettes in the style of Art Nouveau: Kahekesi (Two together; 1908; China ink drawing). In Paris, Magi was influenced by Impressionism and Fauvism, which had a significant impact on his colours: Lilleline vali majakesega (A flower field with a little house; 1908?C1909), Norra maastik manniga (A Norwegian landscape with a pine; 1910).
From 1918, the influence of Expressionism is manifest, fostered by Mägi extreme sensitivity and emotional response to the anxious times: Puhajarv (Lake Puha, ', ', ', ', ', ', ', '); 1918?C1920), Otepaa maastik (Landscape of Otepaa; 1918?C1920). Also influenced by Expressionism are his big figure compositions Piet?? (1919), Kolgata (Golgatha; 1921).
Konrad Magi - Rannamaastik (Beach landscape)Magi new artistic period, begun on a trip to Italy, brought calmer tempers: Varemed Capril (Ruins in Capri; 1922?C1923). Along with nature pictures, he painted flowers and portraits. Magi mostly beautiful female models express the Art Nouveau ideal of beauty: Holsti (1916). In his later portraits from the 1920s, a more serious temper is expressed: Madonna (1923?C1924).
ID de tableau:: 72318
Landscape Date ca. 1915(1915)
Medium Oil on canvas
Dimensions 50.7 X 60.8 cm (19.96 X 23.94 in)
cyf 1873-1939
Ernest Lawson Galleries
ID de tableau:: 72425
Landscape Date ca. 1867(1867)
Medium Oil on canvas
Dimensions 38.2 X 61.1 cm (15.04 X 24.06 in)
cyf 1796-1886
Asher Brown Durand Galleries
ID de tableau:: 72861
Landscape Date between 1855(1855) and 1857(1857)
Medium Oil on canvas
Dimensions 60.8 X 45.4 cm (23.94 X 17.87 in)
cyf 1796-1886
Asher Brown Durand Galleries
ID de tableau:: 72996
Landscape "Landscape," oil on canvas, by the American artist Sanford Robinson Gifford. 9 3/4 in. x 15 5/8 in. Yale University Art Gallery, gift of Teresa Heinz in memory of her husband H. John Heinz III, B.A. 1960. Courtesy of Yale University, New Haven, Conn.
cjr 1823-1880
b Feb. 15, 1817, Paris, France
d.Feb. 19, 1878, Paris French
ID de tableau:: 73016
Landscape "Landscape," oil on panel, by the French artist Charles-François Daubigny. 7 15/16 in. x 13 5/16 in. x 3/16 in. Yale University Art Gallery, gift of Miss Jessie M. Tilney, in memory of her grandparents, John William and Hannah M. Mason. Courtesy of Yale University, New Haven, Conn.
cjr b Feb. 15, 1817, Paris, France
d.Feb. 19, 1878, Paris French
(27 March 1839 Slateford, Water of Leith - 28 January 1911 London) was a Scottish landscape painter.
John was the third of four children. He attended a school in Colinton, and after his father's death was apprenticed to Oliver & Boyd, booksellers in Edinburgh. He stayed there for only a few months and then in 1851 enrolled at the Trustees Academy under Robert Scott Lauder and John Ballantyne (1815-97). He spent long periods sketching and studying nature outdoors. His first painting to be exhibited at the Royal Scottish Academy at age 14, was 'Old Cottage at Braid'. In 1880, he was made an Honorary Member of the Royal Scottish Academy. Exploring and painting abroad he visited Italy, Sicily, Switzerland, Austria, Turkey, Norway and the U.S.A. - the Alps being a great inspiration. He moved to London in 1867 and on 4 May 1893 was elected a Royal Academician.
MacWhirter specialised in romantic landscapes with a great fondness for trees, spending much time in the hilly countryside of Perthshire. Initially, under the influence of John Everett Millais, he experimented with the detailed images of the Pre-Raphaelites, but later adopted a more sweeping style. With John Pettie he illustrated The Postman's Bag (Strahan, 1862), and Wordsworth's Poetry for the Young (Strahan, 1863).
ID de tableau:: 73737
Landscape Landscape
1880(1880)
cjr (27 March 1839 Slateford, Water of Leith - 28 January 1911 London) was a Scottish landscape painter.
John was the third of four children. He attended a school in Colinton, and after his father's death was apprenticed to Oliver & Boyd, booksellers in Edinburgh. He stayed there for only a few months and then in 1851 enrolled at the Trustees Academy under Robert Scott Lauder and John Ballantyne (1815-97). He spent long periods sketching and studying nature outdoors. His first painting to be exhibited at the Royal Scottish Academy at age 14, was 'Old Cottage at Braid'. In 1880, he was made an Honorary Member of the Royal Scottish Academy. Exploring and painting abroad he visited Italy, Sicily, Switzerland, Austria, Turkey, Norway and the U.S.A. - the Alps being a great inspiration. He moved to London in 1867 and on 4 May 1893 was elected a Royal Academician.
MacWhirter specialised in romantic landscapes with a great fondness for trees, spending much time in the hilly countryside of Perthshire. Initially, under the influence of John Everett Millais, he experimented with the detailed images of the Pre-Raphaelites, but later adopted a more sweeping style. With John Pettie he illustrated The Postman's Bag (Strahan, 1862), and Wordsworth's Poetry for the Young (Strahan, 1863).
ID de tableau:: 73806
Landscape Date between 1618(1618) and 1622(1622)
Medium Oil on panel
Dimensions 104.1 X 78.7 cm (40.98 X 30.98 in)
cyf Flemish Baroque Era Painter, 1576-ca.1632
ID de tableau:: 74813
Landscape English: "Landscape," oil on canvas, by the American artist Sanford Robinson Gifford. 9 3/4 in. x 15 5/8 in. Yale University Art Gallery, gift of Teresa Heinz in memory of her husband H. John Heinz III, B.A. 1960. Courtesy of Yale University, New Haven, Conn.
Date 1865
cyf 1823-1880
(16 June 1858 -22 April 1930) was an Australian impressionist painter.
John Peter Russell was born at the Sydney suburb of Darlinghurst, the eldest of four children of John Russell, a Scottish engineer, his wife Charlotte Elizabeth, nee Nicholl, from London. J. P. Russell was a nephew of Sir Peter Nicol Russell. After his father's death J. P. Russell enrolled at the Slade School of Fine Art, University College, London, on 5 January 1881 and studied under Alphonse Legros for three years.Russell then went to Paris to study painting under Fernand Cormon. (His fellow students there included Henri de Toulouse-Lautrec and Émile Bernard.) Russell was a man of means and having married a beautiful Italian, Mariana Antoinetta Matiocco, he settled at Belle Île off the coast of Brittany, where he established an artists' colony. He would have 11 children with Matiocco, of whom six survived.
John Peter Russell: Vincent van Gogh, 1886, Van Gogh Museum, AmsterdamRussell had met Vincent van Gogh in Paris and formed a friendship with him. Van Gogh spoke highly of Russell's work, and after his first summer in Arles in 1888 he sent twelve drawings of his paintings to Russell, to inform him about the progress of his work. Claude Monet often worked with Russell at Belle Île and influenced his style, though it has been said that Monet preferred some of Russell's Belle Île seascapes to his own.
ID de tableau:: 77413
Landscape oil on canvas, 81.0 x 100.0 cm) by John Peter Russell (1858 - 1930
cyf (16 June 1858 -22 April 1930) was an Australian impressionist painter.
John Peter Russell was born at the Sydney suburb of Darlinghurst, the eldest of four children of John Russell, a Scottish engineer, his wife Charlotte Elizabeth, nee Nicholl, from London. J. P. Russell was a nephew of Sir Peter Nicol Russell. After his father's death J. P. Russell enrolled at the Slade School of Fine Art, University College, London, on 5 January 1881 and studied under Alphonse Legros for three years.Russell then went to Paris to study painting under Fernand Cormon. (His fellow students there included Henri de Toulouse-Lautrec and Émile Bernard.) Russell was a man of means and having married a beautiful Italian, Mariana Antoinetta Matiocco, he settled at Belle Île off the coast of Brittany, where he established an artists' colony. He would have 11 children with Matiocco, of whom six survived.
John Peter Russell: Vincent van Gogh, 1886, Van Gogh Museum, AmsterdamRussell had met Vincent van Gogh in Paris and formed a friendship with him. Van Gogh spoke highly of Russell's work, and after his first summer in Arles in 1888 he sent twelve drawings of his paintings to Russell, to inform him about the progress of his work. Claude Monet often worked with Russell at Belle Île and influenced his style, though it has been said that Monet preferred some of Russell's Belle Île seascapes to his own.
ID de tableau:: 81267
Landscape Date 19th century
Medium Oil on canvas
Dimensions 93.7 x 151 cm (36.9 x 59.4 in)
cjr French Barbizon School Painter, 1817-1878
ID de tableau:: 82532
Landscape Date from 1920(1920) until 1926(1926)
Medium Oil on canvas
Dimensions 26 x 38 cm (10.2 x 15 in)
cjr painted Landscape in 1920
ID de tableau:: 83214
Landscape Date 1622(1622)
Medium Oil on oak panel
Dimensions Height: 28 cm (11 in). Width: 34 cm (13.4 in).
cjr 1591-1630
Dutch
Esaias Van de Velde Gallery
ID de tableau:: 83707
Landscape Landscape, oil on canvas, 15 1/16 x 24 1/16 in. (38.2 x 61.1 cm)
Date 1867(1867)
cjr 1796-1886
Asher Brown Durand Galleries
ID de tableau:: 84584
Landscape Date 1637(1637)
Medium Oil on wood
Dimensions Height: 49 cm (19.3 in). Width: 75 cm (29.5 in).
cjr Dutch Baroque Era Painter, 1615-1660
(ca. 1526-1590) was a Flemish Renaissance landscape painter.
Grimmer was born and died in Antwerp. According to Karel van Mander he first learned to paint landscapes from Matthys Cock and later from Christiaen Queburgh, both of Antwerp. He was a very skilled painter of houses, sky, and foreground views. He was a member of the Guild of St. Luke who was active as a rederijker and acted in many plays.
According to the RKD his earliest dated work is from 1546 and his latest dated work was 1589. Most of his works are landscapes and he worked together with Gillis Mostaert. Abel Grimmer was his son and pupil.
ID de tableau:: 85184
Landscape Date second half of 16th century
Medium Oil on oak panel
Dimensions Height: 61 cm (24 in). Width: 82 cm (32.3 in).
cjr (ca. 1526-1590) was a Flemish Renaissance landscape painter.
Grimmer was born and died in Antwerp. According to Karel van Mander he first learned to paint landscapes from Matthys Cock and later from Christiaen Queburgh, both of Antwerp. He was a very skilled painter of houses, sky, and foreground views. He was a member of the Guild of St. Luke who was active as a rederijker and acted in many plays.
According to the RKD his earliest dated work is from 1546 and his latest dated work was 1589. Most of his works are landscapes and he worked together with Gillis Mostaert. Abel Grimmer was his son and pupil.
b Feb. 15, 1817, Paris, France
d.Feb. 19, 1878, Paris French
ID de tableau:: 85343
Landscape 19th century
Medium Oil on canvas
Dimensions 93.7 x 151 cm (36.9 x 59.4 in)
cyf b Feb. 15, 1817, Paris, France
d.Feb. 19, 1878, Paris French
(August 5, 1844 - December 14, 1926) was a Polish painter.
ID de tableau:: 90174
Landscape 1886(1886)
Medium oil on canvas
Dimensions 88 x 113 cm (34.6 x 44.5 in)
cyf (August 5, 1844 - December 14, 1926) was a Polish painter.
(May 20, 1856 - May 16, 1910) was a French pointillist painter.
Cross was born in Douai and grew up in Lille. He studied at the École des Beaux-Arts. His early works, portraits and still lifes, were in the dark colors of realism, but after meeting with Claude Monet in 1883, he painted in the brighter colors of Impressionism. In 1884, Cross co-founded the Societe des Artistes Independants with Georges Seurat. He went on to become one of the principal exponents of Neo-Impressionism. He began his Pointillist period after spending time with Paul Signac in 1904. His later works are Fauvist, perhaps influenced by his acquaintance with Henri Matisse.
His final years, plagued by rheumatism, were spent in Saint-Clair[disambiguation needed ], where he died in 1910. His pieces include The Church of Santa Maria degli Angely Near Assisi (1909) and Landscape with Stars.
The Allen Memorial Art Museum (Oberlin College, Ohio), the Block Museum of Art (Northwestern University, Illinois), The Art Institute of Chicago, the Fine Arts Museums of San Francisco, Harvard University Art Museums, the Hermitage Museum, the Honolulu Academy of Arts, Kröller-Meller Museum, the Los Angeles County Museum of Art, the Metropolitan Museum of Art, Museum of Grenoble (Grenoble, France), Musee d'Orsay (Paris), Musee Malraux (Le Havre, France), Musee Richard Anacreon (Granville, France), the Museum of Modern Art (New York City), the National Gallery of Art (Washington D.C.), New Art Gallery (Walsall, England), the Tel Aviv Museum of Art and the Thyssen-Bornemisza Museum (Madrid), are among the public collections holding works by Henri-Edmond Cross.
ID de tableau:: 90731
Landscape 1896-99
Medium oil on canvas
cyf (May 20, 1856 - May 16, 1910) was a French pointillist painter.
Cross was born in Douai and grew up in Lille. He studied at the École des Beaux-Arts. His early works, portraits and still lifes, were in the dark colors of realism, but after meeting with Claude Monet in 1883, he painted in the brighter colors of Impressionism. In 1884, Cross co-founded the Societe des Artistes Independants with Georges Seurat. He went on to become one of the principal exponents of Neo-Impressionism. He began his Pointillist period after spending time with Paul Signac in 1904. His later works are Fauvist, perhaps influenced by his acquaintance with Henri Matisse.
His final years, plagued by rheumatism, were spent in Saint-Clair[disambiguation needed ], where he died in 1910. His pieces include The Church of Santa Maria degli Angely Near Assisi (1909) and Landscape with Stars.
The Allen Memorial Art Museum (Oberlin College, Ohio), the Block Museum of Art (Northwestern University, Illinois), The Art Institute of Chicago, the Fine Arts Museums of San Francisco, Harvard University Art Museums, the Hermitage Museum, the Honolulu Academy of Arts, Kröller-Meller Museum, the Los Angeles County Museum of Art, the Metropolitan Museum of Art, Museum of Grenoble (Grenoble, France), Musee d'Orsay (Paris), Musee Malraux (Le Havre, France), Musee Richard Anacreon (Granville, France), the Museum of Modern Art (New York City), the National Gallery of Art (Washington D.C.), New Art Gallery (Walsall, England), the Tel Aviv Museum of Art and the Thyssen-Bornemisza Museum (Madrid), are among the public collections holding works by Henri-Edmond Cross.
(Porto Alegre, 1853 - 1929) was an important Academic painter of Brazil, and the first artist born in Rio Grande do Sul to win international praise for his work.
Born to a family of German immigrants, he began his artistic career as an amateur, helped by his brother Inecio, who was a lithographer, and possibly also by painter Delfim da Câmara. Anyway, in 1878 he moved to Germany in order to study in the Grossherrzoglisch Badische Kunstschule, in Karlsruhe. There he became a pupil of Ferdinand Keller, Theodor Poeckh and Ernst Hildebrand. In 1880 Keller moved to Berlin, being followed by Weingärtner, who then enrolled in the local Academy.
In 1882 he left Germany for France, studying in the Academie Julian under Tony Robert-Fleury and William Adolphe Bouguereau. Wrecked by financial issues, he thought of abandoning his studies, but such situation was reverted by supportive friends, including Baron of Itajube, who got for him a special scholarship from emperor Peter II upon Bouguereau's advice. Then he could further his education in Rome.
Thereafter for many years he divided his time between Rio de Janeiro, Porto Alegre and Rome, traveling very often and being celebrated as one of the most important Brazilian painters of his generation. In Rio Grande do Sul he was a star. In 1920 he was back in Porto Alegre, where the remained until death. His fame declined from 1925 on, facing competition from new painters and changing tastes in local art.
ID de tableau:: 92085
Landscape 1918(1918)
Medium oil on canvas
Dimensions 28 X 48.2 cm (11 X 19 in)
cyf (Porto Alegre, 1853 - 1929) was an important Academic painter of Brazil, and the first artist born in Rio Grande do Sul to win international praise for his work.
Born to a family of German immigrants, he began his artistic career as an amateur, helped by his brother Inecio, who was a lithographer, and possibly also by painter Delfim da Câmara. Anyway, in 1878 he moved to Germany in order to study in the Grossherrzoglisch Badische Kunstschule, in Karlsruhe. There he became a pupil of Ferdinand Keller, Theodor Poeckh and Ernst Hildebrand. In 1880 Keller moved to Berlin, being followed by Weingärtner, who then enrolled in the local Academy.
In 1882 he left Germany for France, studying in the Academie Julian under Tony Robert-Fleury and William Adolphe Bouguereau. Wrecked by financial issues, he thought of abandoning his studies, but such situation was reverted by supportive friends, including Baron of Itajube, who got for him a special scholarship from emperor Peter II upon Bouguereau's advice. Then he could further his education in Rome.
Thereafter for many years he divided his time between Rio de Janeiro, Porto Alegre and Rome, traveling very often and being celebrated as one of the most important Brazilian painters of his generation. In Rio Grande do Sul he was a star. In 1920 he was back in Porto Alegre, where the remained until death. His fame declined from 1925 on, facing competition from new painters and changing tastes in local art.
(August 5, 1844 - December 14, 1926) was a Polish painter.
ID de tableau:: 92086
Landscape 1886(1886)
Medium oil on canvas
Dimensions 88 X 113 cm (34.6 X 44.5 in)
cyf (August 5, 1844 - December 14, 1926) was a Polish painter.
(July 17, 1796 - February 22, 1875) was a French landscape painter and printmaker in etching. Corot was the leading painter of the Barbizon school of France in the mid-nineteenth century. He is a pivotal figure in landscape painting and his vast output simultaneously references the Neo-Classical tradition and anticipates the plein-air innovations of Impressionism.
ID de tableau:: 93357
Landscape circa 1872(1872)
Medium oil on canvas
Dimensions 38 x 56.5 cm (15 x 22.2 in)
cjr (July 17, 1796 - February 22, 1875) was a French landscape painter and printmaker in etching. Corot was the leading painter of the Barbizon school of France in the mid-nineteenth century. He is a pivotal figure in landscape painting and his vast output simultaneously references the Neo-Classical tradition and anticipates the plein-air innovations of Impressionism.
(12 December 1750-6 May 1825), nee Anne Lindsay, eldest daughter of James Lindsay, 5th Earl of Balcarres was born at Balcarres House, Fife, Scotland. She was author of the ballad Auld Robin Gray and an accomplished travel writer, artist and socialite of the period. Her five year residence in Cape Town, South Africa, although brief, had a significant impact on the cultural and social life of the time.
ID de tableau:: 95779
landscape Oil painting by Lady Anne Barnard 1750-1825. Lady Anne was an accomplished travel-writer, artist and socialite of the time. The picture is believed to be of Raby Castle, the seat of Lord Barnard's family since 1626.
cjr (12 December 1750-6 May 1825), nee Anne Lindsay, eldest daughter of James Lindsay, 5th Earl of Balcarres was born at Balcarres House, Fife, Scotland. She was author of the ballad Auld Robin Gray and an accomplished travel writer, artist and socialite of the period. Her five year residence in Cape Town, South Africa, although brief, had a significant impact on the cultural and social life of the time.
was a French landscape painter and printmaker in etching. Corot was the leading painter of the Barbizon school of France in the mid-nineteenth century. He is a pivotal figure in landscape painting and his vast output simultaneously references the Neo-Classical tradition and anticipates the plein-air innovations of Impressionism.
ID de tableau:: 96541
Landscape Oil on canvas
Dimensions 38,5 x 56 cm
cyf was a French landscape painter and printmaker in etching. Corot was the leading painter of the Barbizon school of France in the mid-nineteenth century. He is a pivotal figure in landscape painting and his vast output simultaneously references the Neo-Classical tradition and anticipates the plein-air innovations of Impressionism.
Maurice Galbraith Cullen (1866-1934) was a Canadian artist.
Cullen was born June 6, 1866 in St. John's, Newfoundland.
Beginning in January 1918, Cullen served with Canadian forces in the First World War. He came to the attention of Lord Beaverbrook, who arranged for him to be commissioned as an "official war artist" along with Frederick Varley, J.W. Beatty and C. W. Simpson.
ID de tableau:: 97740
Landscape circa 1922(1922)
Medium oil on canvas
Dimensions 55.9 x 70.8 cm
cyf Maurice Galbraith Cullen (1866-1934) was a Canadian artist.
Cullen was born June 6, 1866 in St. John's, Newfoundland.
Beginning in January 1918, Cullen served with Canadian forces in the First World War. He came to the attention of Lord Beaverbrook, who arranged for him to be commissioned as an "official war artist" along with Frederick Varley, J.W. Beatty and C. W. Simpson.
